Hong Kong Family director Eric Tsang’s inseparable bond with CUHK
A rebellious son from an unhappy family
The film begins with a family torn apart after a winter solstice dinner eight years ago. A cousin returns home from the United Kingdom and initiates a reunion, posing the family the dilemma of whether or not to reconnect with each other.
Eric believes that family, the main theme of the film, is the basis of society, shaping children’s values and identities, and determining a society’s future.
“I grew up in a family with arguing parents,” says Eric. “I was always in a bind when I failed to resolve their conflicts.”
The disappointed boy who was tired of mediating grew into a rebellious teenager, who eventually chose to flee his home before going to university.
“The film is a moving portrayal of reality. Those who watched the film before its official release were touched by the realness of the story.”
He hopes to convey the important role effective communication plays in harmonious families. “It is easier said than done, though,” he says. “Whether or not you come from a happy family, I am sure you will see part of your upbringing being revived on screen. It is more than a story – it is a collective recollection of all Hong Kong families.”
The film has been screening in Hong Kong cinemas since 24 November following its global premiere at the 2022 Busan International Film Festival.
How it all began
Eric recalls his days at CUHK and how his admission to the School of Journalism and Communication (the School) came as a surprise. He still vividly remembers how captivating Professor Ma Kit-wai’s speech at Information Day was. “I was still a Form Seven student,” he says. “Professor Ma’s sharing was so intriguing and innovative that I couldn’t help but be deeply drawn to the programme. I was not a top student who could achieve perfect grades in public examinations, so I took the bold move of writing to Professor Ma, requesting a meeting with him – interviews were not yet part of the School’s admission procedures.”
That was how Eric earned a place at the School. Fascinated by CUHK’s academic freedom and the opportunities it provides, he spent three enjoyable years devoting himself to creative content creation and extra-curricular activities.
“I treasure my days at CUHK. Screening events, film fundraising, production of stage shows and many other opportunities quenched my thirst for knowledge and broadened my horizons. I also had the chance to participate in an internship programme in Beijing.
“Beyond learning, I also love New Asia College’s beautiful campus,” he says with a smile.
An inseparable bond with his alma mater
“The production of Hong Kong Family would not have been possible without the support of students, alumni and professors at the School,” says Eric, recalling the pivotal role CUHK played in his filmmaking journey.
Back in 2017, Eric was eager to participate in the First Feature Film Initiative (FFFI), a scheme for aspiring filmmakers to turn dreams into reality. But CUHK was not then qualified to recommend participating groups.
“I couldn’t let go of this chance,” says Eric. “I started a signature campaign which was supported by many members of the School. With the help of Professor Anthony Fung Ying-him, CUHK became qualified for the initiative starting the following year.”
Hong Kong Family’s script was recognised as one of the winning projects. That was when Eric secured his first film contract.
“The School’s alumni played pivotal roles in the film crew. Apart from executive producer Ms Patricia Cheng Lai-chun and co-screenwriters Mr Yeung Leung-chuen and Ms Lou Shiu-wa, the talented team of alumni supported the production in directing, scriptwriting, lyric writing and film editing. Some locations on the CUHK campus, such as Yun Chi Hsien at New Asia College, also appear in the film,” he says.
Remember why you started
“To me, content creation creates a utopia, and filmmaking makes the world a better place,” says Eric. “The world is not always kind. It is important to stay true to your dreams and unleash your full potential, even if it seems impossible. In films, imaginative ideas will tug at your heartstrings and become real.”
By Gillian Cheng
Photos by Matthew Wu
